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Kenneth Cox has sung for the past thirty years as a leading basso with many of the international opera houses of the world, including Paris, Chicago, San Francisco, Houston, Los Angeles, Toronto, Montreal, Seattle, San Diego, Washington, Philadelphia, Dallas, Amsterdam, Brussels, and the Opera San Carlo in Napoli. Some of his portrayals have been that of Baron Ochs in Die Rosenkavalier, Sarastro in Die Zauberflote, Osmin in Die Entfuhrung aus dem Serail, Hunding in Die Walkure, Mephistopheles in Faust, Arkel in Pelleas et Melisande, King Phillip in Don Carlo, Banquo in Macbeth, Timur in Turandot, Don Basilio in Il Barbiere di Sivilgia, Raimondo in Lucia di Lammermoor, Gremin in Eugene Onegin, and Colline in La Boheme. His New York appearances include two productions with the New York City Opera, and his debut at Carnegie Hall, with the Pittsburgh Symphony in Tristan und Isolde. He was invited to travel to Spoleto, Italy to sing the title role in The Death of the Bishop of Brindisi, a work dear to the heart of Gian Carlo Menotti, in celebration of his 85th birthday.
Mr. Cox has received praise from the New York Times, which called him "a wonderfully cavernous bass." His portrayal of Arkel in Pelleas and Melisande with Pierre Boulez and Peter Stein garnered world wide acclaim. He also sang this role in Los Angeles and Seattle with great success. His Osmin at the Kennedy Center in Washington DC, as well as in Amsterdam, New York, and Chicago was a triumph. Mr Cox has also sung Mephistopheles in Faust in Paris and Philadelphia, as well as a number of other American opera houses to the delight of critics and audiences.
Having sung a large number of the standard bass roles, Ken has also enjoyed participating in some contemporary productions, including the world premiers of Conquistador, and Salammbo, quite theatrical stagings of Billy Budd, and Of Mice and Men. Salammbo at Paris Opera was so popular that it was brought back for a second production run.
Professor Cox has also appeared with the symphony orchestras of Cleveland, Los Angeles, Vienna, Tokyo, Tel Aviv, Jerusalem, San Francisco, Atlanta, Baltimore, Indianapolis, St. Louis, the French National Orchestra, and the Mostly Mozart Festival in New York, appearing with such conductors as Kurt Masur, Lorin Maazel, Zubin Mehta, Valery Gergiev, Essa Pekka Salonen, Christof von Dohnanyi, Nikolaus Harnecourt, Leonard Slatkin, David Zinman, Julius Rudel, Gerald Schwarz, and John Nelson, to name a few. His recordings include Mahler's Eighth Symphony, with Robert Shaw and the Atlanta Symphony, Herodiade at the San Francisco Opera, with Placido Domingo and Renee Fleming, and the Stein/Boulez Pelleas et Melisande, with the Welsh National Opera, available on DVD.
In addition to his performing, he is known for his vocal master classes, which he has presented around the world, most recently at the Interlochen Music Festival and the International Lyric Academy in Viterbo, Italy. His students are performing at the Metropolitan Opera as well as doing graduate work at Indiana University and other prestigious institutions.
Professor Cox serves as the Chair of the Lamont Vocal Arts Department, and as the Director of the Lamont Opera Theater. At the University of Denver he has directed Le Nozze di Figaro, The Merry Wives of Windsor, L'Elisir d'Amore, La Boheme, Cosi fan Tutte, and Carmen. Using professional sets and costumes, these performances have blurred the lines between outstanding university productions and offerings from regional American opera houses.
Kenneth received his BM at Wheaton College and graduated Cum Laude from Indiana University
with his MM, where he sang 10 leading roles in 3 years with the IU Opera Theater.
He is a member of the Pi Kappa Lambda musical honor society in recognition of his
outstanding academic and musical achievement.
Professor Cox has just finished a two CD set of Schubert's Winterreise with his colleague and renowned guitarist Ricardo Iznaola.